Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Duccio di Buoninsegna
Madonna of the Franciscans (mk08)

ID: 21153

Duccio di Buoninsegna Madonna of the Franciscans (mk08)
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Duccio di Buoninsegna Madonna of the Franciscans (mk08)


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Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.  Related Paintings of Duccio di Buoninsegna :. | Annunciation | Maesta | Gualino Madonna sdfdh | The Holy Woman at the Sepulchre | Christ Entering Jerusalem |
Related Artists:
HEUSCH, Jacob de
Dutch painter (b. 1657, Utrecht, d. 1701, Amsterdam).
Enguerrand Quarton
active in Provence 1444-1466
George Hayter
1792 - 1871 English painter and printmaker. He was the son of Charles Hayter (1761-1835), miniature painter, author of manuals for art instruction and Professor of Perspective and Drawing to Princess Charlotte. In 1808 George entered the Royal Academy Schools, and in 1815 was appointed Painter of Miniatures and Portraits by Princess Charlotte. Hayter was awarded the British Institution's premium for history painting for the Prophet Ezra (1815; Downton Castle, Heref. & Worcs), purchased by Richard Payne Knight. Encouraged by his patron, John Russell, 6th Duke of Bedford, he travelled to Italy to study in 1816, gaining election as an honorary member of the Accademia di S Luca in Florence. Returning to London in 1818, Hayter practised as a portrait painter in oils and history painter and occasionally acted as an art dealer. Dubbed 'The Phoenix' by William Beckford, Hayter showed a pomposity that irritated his fellow artists, but he mixed freely with many aristocratic families.






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